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bookcub · 1 day ago
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Cozy Fantasy and Why It Doesn't Work
I think I am among many who feel like they should love cozy fantasy and have found it an incredibly lacking genre.
This newly branded "cozy fantasy" genre that has taken readers by storm since 2020 and while it is new that books are now marketed as cozy, the genre itself isn't new. Howl's Moving Castle by Diana Wynne Jones is a great example of the genre before it was labeled and also how to make it work.
Cozy fantasy is defined by many as fantasy with low stakes. Fantasy aesthetic but less sword fights. On paper, it sounds great. But the execution has been less than stellar for readers like me. The lack of physical stakes has also impacted the emotional stakes of these books, creating forgettable characters with boring problems. As a romance reader, I find this frustrating. Romance is known for being a predictable and formulaic genre, the now defunct Romance Writers of America defined romances as needing happy endings, a term romances have continued to follow. Yet these romance texts manage to have low physical stakes (how to date your neighbor, how to confront your toxic friends, etc) while still maintaining high personal stakes that keep readers invested and begging for more. So I was initially confused why cozy fantasy authors struggle to write texts that connect to readers like me.
I think I have found the answer which is the genre is just here for vibes. It is all about aesthetic, not even worldbuilding that fantasy is known for as most cozy fantasy I read have so many problems as soon as you ask one question. It is hard to acknowledge that a genre that is pitched to work for readers like me doesn't work for many of us. Especially because occasionally there is one that works beautifully to my taste.
I often say my favorite cozy fantasies that are more contemporary are short and visual, which I plays into the idea of the genre being an aesthetic. The Bakery Dragon by Devin Elle Kurtz is a good example because it is a simple story that is given the perfect amount of pages and gorgeous visuals without dragging on when the message is very clear and easy to understand. Books like The Phoenix Keeper and Legends and Lattes have absolutely nothing for me, their very clear message hitting the reader over and over so the readers don't miss it and focusing on the aesthetic of worldbuilding rather than the reality of the fantastic elements within the world.
I guess my point is. . . I realize this genre isn't for me since I have realized it is more of an aesthetic than anything. .. .but I want it to be. Should I let it go and put my efforts elsewhere? Or should I keep exploring this new trend and find the hidden gems?
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bangaveragewhitewine · 2 days ago
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⋆⁺₊❅ meet the parents
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single dad Eddie Munson x single mom Reader
Word Count: 4.7k
Summary: For my fourth and final fic of @littlexdeaths The Twelve Days of Promptmas, I bring you a romcom-worthy meet cute! A one-night stand in a small town is always a dangerous game.
Content: Eddie and Reader are both single parents. Modern AU. P in V and oral sex. Too many feelings for a one-night stand. Reader’s shitty ex mention. Small town dynamics. Light on Christmas, heavy on Eddie being a sexy menace. If you see any typos/messy sentences lmk!!
Just an extra little note to say the biggest THANK YOU to @littlexdeaths for putting together these wonderful Promptmas ideas, and for just being completely lovely and amazing too. I have had such a fun few weeks working on writing again, it’s been a crazy few months for me personally so this has been the best way to get back into writing and feeling creative again!! I’ve loved every minute ❤️
✨bang average festive fics✨ Eddie Munson fics ✨Dividers by @strangergraphics✨
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It has been quite a few years since you woke up in a stranger’s bed. 
More used to the morning time routine of trying to get a sleepy six-year-old up and ready for the day, or the heartwarming feeling of said six-year-old making her way into your bed to cuddle on sleepy Sundays, you feel a little out of your depth this morning.
And some degree of hungover. 
But it could be worse, you supposed. The stranger’s bed was comfy and he had plenty of pillows for you to sleep on. His sheets were clean and he had not totally smothered you like a limpet all night, nor had he expected you to get up and leave while you were still catching your breath. He was a fairer bedmate than your daughter, and it was pleasant to wake up with the warm weight of his inked arm around you rather than a kid’s-size-twelve foot digging into your ribs, or her hair in your mouth. 
You sink into the comfort of it all, relishing that long-forgotten post-great-sex ache all over and the feeling of waking after a deep and dreamless sleep. You had not been this well-rested in almost seven years.
Next to you, he is asleep on his stomach with his arm across your middle. The room is dusky dark, but you can still make out the tattoos along his pale bare body and the glint of his nose ring, the spill of long dark hair piled up on his head. He is much softer now than when you met in the bar last night, no coy smirk or wolfish grin, no deep dimples on his cheeks. His whiskey eyes are still shut, and you feel warm all over when you remember how he had looked at you like you were the only woman in the bar, in the world, last night. How he had taken you home and taken you apart right here in his navy sheets. 
Carefully, trying not to wake the man next to you, you ease yourself up to check your phone.  It’s far too early to worry about picking Hazel up yet.
Not for the first time, you say a silent thanks to the universe for your neighbour for agreeing to babysit Hazel so that you could have a well-deserved Christmas night out with the friends you had made at work. You will bring her a nice hand-tied bouquet from the shop next week, just because. Without Claudia and her kindness to lean on, you know that going it alone in this small new town would so be much harder. It had been serendipitous really, moving in next door to an older and wiser woman who had been in the very same position as you when her son was not much older than Hazel. You begin piecing together the perfect bouquet for her, eucalyptus and rose and red ribbon, distracting yourself briefly from the dull ache in your head and the dry feeling on your tongue.
He brought you a glass of water before you fell asleep together. It’s cool in your throat, though it barely touches the sides of the discomfort pressing behind your brows. When the glass is mostly empty, you settle back next to him and let yourself doze for a little longer.
Eddie instinctively pulls you closer in his sleep, his warm morning breath tickling your shoulder and neck. You know it is just temporary, he is still a stranger, but let yourself enjoy the fleeting comfort while it lasts.
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“Morning.”
His voice is rough and smoky, and there’s a tired smile waiting for you when you open your eyes a while later. You are struck by how pretty he is, handsome and hot but pretty with it; long dark lashes and doe-eyes, cheekbones to die for.
“Hi,” you whisper back. You feel yourself smiling back at him, feeling dreamy and oh-so-comfortable. You stretch your body out, relishing the rush of blood and oxygen to your muscles and your eyes drop closed again at that so-good feeling.
“Sleeping Beauty.” 
When Eddie kisses your hair, you miss how he closes his eyes and savours the moment; you are too busy basking in the unexpected tenderness of this one-night stand, the easiness of waking up slow with a man you met less than twelve hours ago. Even if it is just for this morning, you soak it up. 
“Mhmm. You have a comfy bed,” you whisper, looking up at him again. 
You brush your fingertips along his silver chain before tracing up to his jaw, past the tendrils of hair escaping his scrunchie. You know the feeling of that dark grown-out and nicely-maintained stubble, how it brushed and burned so good on the inside of your thighs, how it feels against your lips. 
Tentatively, bravely, you press your mouth against his and feel his smile. It’s sweet, slow. Intimate and lovely.
“Yeah? M’glad you think so,” he murmurs and steals one more kiss before pulling you against his body. 
Last night as you basked in the afterglow, Eddie asked so quietly if he could hold you and you almost teared up about it. It had been a long time since anyone had held you like that, like he is holding you again this morning.  It has been a long time since anyone has been sweet to you, shared closeness and intimacy like this. Not since the man you loved upped and left, leaving you and one-year-old Hazel with only each other to love. 
You feel the strength of his arms and the softness of his belly. There’s a stirring, hardening interest against your thigh and yet he’s not being too forward or pushy. He’s just holding you, just ‘coz. 
“I don’t… S’a while since I had a sleepover,” he admits, running his blunt nails over the small of your back. “You didn’t hog the covers, and you didn’t sneak off without saying bye…”
Eddie pulls back a little, wearing that small flirty smile that made you swoon last night. His voice is so playful, even though it is deep with morning huskiness. 
“Still here,” you whisper back, “I… It’s been a while for me too. I don’t usually… Yeah.” You shrug, you know he gets it. 
There is a glint of something in his eyes before he looks up at the ceiling. “I’m glad we did. I had fun.” 
The dimple in his cheek is beautiful and bashful, and when he looks at you again his eyes go right to your lips.
“Me too.” You touch his chain again and tug gently to bring your lips together again, putting you both out of your misery.
No one has ever kissed you like Eddie did last night, with all-consuming lust that made you feel electric. He is a blend of rough and smooth, a firm guiding hand followed by a gentle caress. You have never felt so wanted, so craved.
The way he kisses you this morning pushes aside the thoughts of all you need to do today. All you know is want, the cloying feeling of wanting to touch and be touched, craving pleasure. With his hands to guide, you straddle his lap and lean into the feeling of his fingertips wandering past the hem of the t-shirt he loaned you last night. 
Eddie looks up at you like you’re some sort of deity, his eyes and lips shining as you peel off the t-shirt and throw it behind you, leaving yourself bare in his lap. He was not put off by the stretch marks, or the Mom Body you felt so self-conscious about sometimes. Nor was he put off by the fact that you are a Mom. Eddie had simply smiled when you briefly mentioned your daughter, told you he had his own little girl without giving too much away. With that fresh layer of yourselves on show, you could understand each other just a little bit more without going full gushing-parent mode, sharing pictures of your little angels or ranting about who loved Bluey and loathed Peppa more. 
His fingers run over the stretch marks on your hips, starting up a slow grind as he kisses your neck (remembering your ‘no marks’ rule). There is a slight chill in the air to remind you that beyond this liminal bliss, it is a frosty December morning, but Eddie warms you up and distracts you without second thought. 
In the gauzy light, you see touches of fatherhood around his room, easily missed in the passion of last night - a framed drawing on his bedside table, a kiddie hair clip in his ring dish. You smile to yourself and shiver when his warm breath skates over the damp trail of kisses.
“Pretty smile,” he murmurs, needing to taste and feel it again. 
Hands wander and squeeze and you get drunk on each other all over again in the cocoon of Eddie’s bed. You blindly follow his dark treasure trail before taking him in hand, hot and diamond-hard, and savour the taste and sound of his moan. Your aching need for him is tempered and satiated by his fingers and you flush hot all over when he encourages you to scoot up and let him taste you, almost begging for it. Dazed with want, you find yourself clinging to the headboard with white knuckles and his name spilling from your lips. 
Eddie could die a happy man with your thighs bracketing his head. The taste of you makes him feel drunk as you take your pleasure from him; the needy roll of your hips is encouraged by his greedy hands in contrast to how cautious and careful you had been not to trap and tug his hair beneath your knees. 
When you are sufficiently dumb with pleasure, he lays you back against the pillows and lays out his desire for you in between messy kisses, losing his train of thought when you get your hand back on him and whisper back your need for him to fuck you now. Eddie reaches blindly for the (blessedly still-in-date) box of foil-wrapped packets in his drawer, not wanting to look away from you for even a moment.
He holds your hand as he makes love to you and you have to remind yourself not to get too caught up in how sweet Eddie is, even when he his making you feel like you have never been so full; sweetness and filthy words wound together so sweetly. It’s overwhelming and he catches you fighting tears when you feel too good. 
“Hey,” he whispers, wearing too much worry between his brows. “Do you want to stop, sweetheart? Am I hurting you?”
A guy being decent should not make your heart swell like this, and yet it does. You shake your head, tears spill over and he brushes them away with care.
“No, no. You’re not hurting me,” you promise. “I feel really good. S’just a lot.” 
Your voice wobbles and he smiles fondly against your mouth, relieved and happy to be wanted in return. 
Eddie has this magnetism, warm and cloying and a little mysterious; it makes you feel comfortable even when he’s teasing you and making you flush hot all over. 
“Yeah, baby? That’s what I’m here for,” he whispers, and kisses you slowly, sweetly. “Let me make you feel good.” You feel like your heart could beat out of your chest. He can feel it hammering against him as he starts up a slow roll of his hips that fills you completely. 
Your fingers clutch at the sheets as Eddie fucks you into his mattress. Nothing else matters in those moments, only pleasure. You fight the urge to sink your teeth into the meat and muscle of his arm, lick the drip of sweat from his neck. Instead, you taste the way he moans your name and cling to him when you come just moments apart - you first, then him.
He shares his water with you afterwards when he sees your empty glass; you are both damp with sweat and lying side by side with your heartbeats pounding in your ears, the lingering taste of each other on your tongues.
When he kisses you again, his lips are water-cooled and tender.
“Can I make you some coffee? I have to pick up my little terror in a bit…” he says, already cringing at himself. “She’s great, I swear. I promised her diner pancakes for brunch.”
Reality trickles back in, a not-unpleasant cooling off of your morning together.
“Yeah, I should probably not show up in last night’s clothes to pick my kid up. Coffee sounds good.” 
There was always an expiry date on this; the boundaries of a one-night stand were set and familiar, despite how long it has been and despite how easy and intimate this morning has been. You’re both adults, both okay with it. 
“Cool.” He smiles and hauls himself out of bed, stepping into his lost and found again boxers before he doubles back to kiss your cheek. 
When your legs are steady enough he shows you how the shower works, leaving you to it with a new toothbrush, fresh towels and a familiar squeeze to your bare hip. There’s a little part of you that wants him to join you, waste hot water and let him press you against the cold tiles. Eddie wants that too, to delay your inevitable parting of ways and return to reality.
When you look in the mirror, you see a well-fucked woman; kiss-bitten lips and that long-lost post-sex glow. 
“What the fuck,” you murmur to yourself, giggling a little when you think over the last twelve hours. 
You had not gone out looking for a hookup last night, but you made the most of the festive excuse to go for drinks with the few friends you had made since moving to Hawkins six months ago. Catching Eddie’s eye at the bar had been a happy accident. A happy accident that lead to letting him buy you a drink, and then buying him one back. Your friends had wholeheartedly encouraged it, knew him to see around town and vouched for him as a mechanic. Good with his hands, they had teased. Oh, how right they had been.
The water is hot and Eddie’s shower gel is the typical ‘for men’ scented sort of thing. You feel fresh and clean when you step back into the bedroom, finding sweats and an Iron Maiden hoodie on the bed for you, alongside your clothes from last night (which Eddie has attempted to fold neatly, instead of leaving you to pick them up from the floor).
It should not make you smile so much, but your cheeks ache pleasantly as you dress yourself, opting for last night’s jeans with Eddie’s sweater. It’s washed-soft and smells like the detergent you have at home with a hint of his cologne.
You follow the scent of coffee and the sound of music downstairs, finding more traces of parenthood on your way - a purple fairy door on the baseboard,  a washing basket full of clean kids' clothes outside a closed bedroom door, light-up Skechers and silver glitter rain boots in the hall. There is something familiar about them, but brush it aside as something Hazel probably asked for in Target.
Eddie’s unbuttoned jeans hang low on his hips as he makes coffee in mismatched mugs, his hair is down tickling against his bare shoulders and back. There are drawings on the fridge and a Christmas tree peeking out from the living room. It feels like a happy home.
His eyes light up when he sees you, looking as hungry and enamoured by you in his hoodie as he had been when you were wearing nothing at all. 
“Do you take sugar, or are you sweet enough?” he asks, wearing a softer version of that panty-dropper smile from last night. He smells clean, minty and masculine, after a quick whore’s bath in the other bathroom.
“Just one,” you say, resting your hip against the kitchen island while you watch him fix up your coffee. “You’re smooth, huh?”
“You tell me.” He slides the mug across to you before blowing on his coffee, taking a still-too-hot sip that he tries and fails to cover. For a moment, you think he might be doing a bit, alas he is simply endearingly clumsy.
You feel bad laughing, but Eddie only pouts a little bit before grinning at you. There’s a faint blush on his cheeks and he ducks his head to hide behind his hair. 
“Real smooth.” 
Exercising patience, you decide to let your coffee cool a little.
“I’ll give you a ride home if you like?” he says, hoping it’s not too forward. 
He wants to be more forward, ask for your number and ask you out. He likes how his clothes fit your body, and how you looked blissed-out in his bed. While Eddie’s trying not to come off too strong, you appreciate his sweetness and fight your own internal battle of trying not to fall for your one-night stand.
“Yeah, that would be great. Thanks, Eddie. I’m over on Cornwallis, is that out of your way?”
He smiles a little, “I don’t mind a little detour, sweetheart.”
You pointedly blow on your coffee, learning from his mistake, and savour the made-just-right coffee in a Snoopy & Woodstock mug.
Over his shoulder, you spot a photo of a familiar man on the fridge, bookended by two heads of dark curly hair. There’s a handpainted fridge magnet with ‘Fae’ written in childishly charming pink writing, and you feel your cheeks flame.
He watches your face change, looks over his shoulder to see what you’re looking at. 
“Ah. That’s my Uncle Wayne, and Fae. My daughter. she’s six.” He unpins the picture and thumbs over it gently before turning it around to you.
You know exactly who they are, but take it anyway.
When you moved your life to Hawkins, Indiana six months ago, you would never have believed that you would make friends with a grandfather in his sixties outside of Curtain Call Dance Studio while you waited for Hazel. Making friends as a single Mom in a new town was not easy, you had little time outside of work and parenting for yourself, let alone socialising (and god forbid, dating). And then you parked next to Wayne one Thursday. He was a little quiet but had warmed up more each week; now he smiled when he saw you, asked how your job at the florists was and how Hazel was doing in school.
Even though they were in different First Grade class groups at Hawkins Elementary, Hazel and Fae had become almost inseparable in their dance classes and on the playground. 
You knew Fae’s dad worked late some evenings, so Wayne helped him out. Hazel had told you that she had seen Fae’s dad once when he picked her up early to go to the dentist, and that he had hair just like her friend.
“She looks just like me, it’s crazy - poor kid. I can’t believe she’s six. She’s supposed to be three, max. Y’know what I mean?” He says, showing you more of his proud Dad side before realising that your confusion is not because you’re looking at a picture of two clones. “You okay?”
“You’re Fae’s Dad? Fae Munson?” you ask, watching his shoulders tense a little as he nods. “Eddie. Our kids know each other. I’ve met Wayne.” 
He scowls slightly beneath his bangs, confused and a little worried that he hooked up with the mother of one of the kids who was mean to Fae in school, who told the teacher when she was ‘too chatty’ or when she stood up for herself.
The words spill from you untempered, unrestrained to clear it all up. “They’re at dance class together. They’re in the same grade. Hazel and Fae are friends, Eddie…”
He visibly softens, drops his shoulders, and even though he still looks confused he melts even more when an involuntary nervous laugh bubbles from your chest. 
“Seriously? No… You’re Hazel’s mom?” His eyes blow wide. “Fuck.” 
Eddie puts his head on the counter with a thunk, and you’re left with the photo of three smiling Munsons. Fae has her Dad’s eyes and hair, his impish mischief that had endeared you to the little girl. They really are alike.
“Wayne was right,” he says, muffled beneath his hair before peeking at you, “You are cute.” 
It makes you laugh more, though your cheeks feel like the surface of the sun.
“Wayne thinks I’m cute? Huh…”
“No. Nope,” he yelps, head flying up like a wild thing. “Oh my goddd.”
You feel a little spacey as the pieces fall into place. Wayne’s nephew Ed worked at Thatcher Tyre as a mechanic, and Fae had told Hazel her Dad looked like a rockstar. She wasn’t wrong…
“He was totally going to try and set us up or somethin’.”
“He did say I’d finally get to meet you at the Winter Performance…” you say, feeling fizzy-all-over as you come to terms with the shock of it all. “Guess we bet him to it.”
“Told me you were real sweet too.” Eddie smiles, his cheeks are pinker than ever.
Part of your brain berates you for hooking up with a stranger in a small town - a small town where everyone knows everyone else. But when Eddie reaches his hand out across the island and says, “Good to finally meet you, Hazel’s Mom,” with that flirty smile and his whiskey eyes, it melts away and you’re not really that sorry at all.
You take his hand, mug-warmed and adorned with silver rings. 
“Nice to meet you at last, Fae’s Dad.”
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Neither of you is too embarrassed by the revelation, though you both circle back to how fucking crazy it is at least twice. Even though you still feel gooey-warm under his attention, you don’t want anything to get in the way of your daughter’s friendship, of your new start in Hawkins, and feel selfish for wanting more than the taste you have already had of Eddie Munson. You both know your time together is drawing to an end, the bubble is about to burst, and a little part of you wishes that the illusion of being strangers could have lasted a little longer. 
With your coffee consumed and your coats and boots on, Eddie takes your hand and pulls you against his body before you step outside of the door together. 
“Hey, gorgeous. One more kiss?” he asks, head tilted to the side. 
You don’t need to think about it, and take his stubbled jaw with both hands as he holds your hips. Kissing him makes all the tension roll away once more, and you hope it is enough to help him remember you as more than just some other Mom in the First Grade Parents Group Chat (which you both have muted). You have to savour it, remember his taste and touch.
Eddie is not shy about kissing you, he slides his tongue against yours and moans ever so quietly when you push your chest against his. He is also the one to slow it down, makes it sweet and tender and you would dare say romantic, even with his hands on your ass. 
“Can I ask for one more thing?” he whispers, nudging his nose against yours. 
Right now, you would consider giving him a kidney or a blow job if he asked nicely. 
“Mhm,” you whisper, giving nothing away just yet. 
“Can I get your number? I wanna take you out properly,” he says, his thumbs play with the belt loop at the back of your jeans. “Like a date.”
Feeling hot all over, you try to play it cool and not nod so eagerly lest you headbutt him and leave him bloody-nosed. 
“Yeah. That would be nice, Eddie.” 
He watches how your teeth sink into your lip and has to kiss you once more, just because. You take his phone and add your number and name, adding a little sparkle emoji before deleting it. Then you add it again and hand it back before you can change your mind.
“Cool. And, um maybe the girls could have a play date sometime? I was gonna ask for your number anyway, so y’know. Two birds, one stone and all that. Silver linings?” Eddie does a jazz-hand-flourish thing before he shakes his head at himself and tucks his phone away. “I had a good time with you. A great time. And I know what you might be thinking, I don’t want this to get between the girls either. But I’d love to see you again.”
You are even more endeared by these glimpses of how sensible he is as well as his goofy awkwardness beneath the leather jacket and bad boy stare.
He is as gentlemanly as he had been last night, opening doors for you, though he is less handsy in the bright morning light (he does give your knee a squeeze at the stoplight). You feel safe with him as he navigates the frosty roads of Hawkins, talking about music, what concerts you had been to before becoming parents, and where to get the sparkly tutus for the Winter Performance. 
All too soon he pulls up outside your house, spotting the red door with the handmade wreath that you had described.
“Next to Henderson’s?” he asks, brow raised.
“Yep. Do you know Claudia, or is this town just too small?”
He laughs, tilts his head against the headrest. “It’s way too small. Her son, Dustin? One of my best friends.” 
You tip your head forward, smiling even as your head shakes. “I’ve heard so much about Dustin. We’re having Christmas dinner with them.”
Eddie's dimpled cheeks crease even more. “Damn. Well, I can’t wait to hear why you picked Hawkins of all places to move to. You can tell me on our date.”
Proud of how that flusters you, he presses a kiss to your hand and winks, “I’ll text you later, sweetheart.”
You want to kiss him again, but you manage to restrain yourself, remembering the nosy neighbours on Cornwallis. Instead, you let the flickering fire inside you flirt back, hoping to fluster him too.
You place your hand high on his thigh and squeeze. “You better, Eddie. Drive safe.”
You can feel him checking you out all over again, the weight and warmth of his gaze, as you make your way up the path to your door. Once your key is in the lock, you part ways with a wave and a wink, lingering just a moment more to watch his car peel away from the curb. 
Left with a fluttering feeling in your tummy and warm cheeks that ache from smiling, you take a moment for yourself in your hallway. 
It is time to go back to being Hazel’s mom. You can’t wait to hear about her sleepover with Ms. Claudia and the cats, bask in her brilliance and take every hug and smooch she will offer you (or let you take for yourself). Inspired by Eddie and Fae’s breakfast date, you think of taking your girl to the diner for dinner later on, maybe watching a Christmas movie before bed. 
In the mirror above your sideboard, hanging above the key dish and the thrifted lamp and a photo of you and Hazel in matching sunglasses, you catch sight of your smiling reflection once more, enveloped in a dreamy daze and borrowed hoodie. Your phone buzzes in your pocket and your smile becomes bigger, brighter, brimming with hope. 
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What did you think? Do we want more of these two? 👀 Thank you so very very much for reading! Your comments, reblogs and likes are incredibly appreciated and adored!
Whether you're celebrating or not, I am wishing you the cosiest and most wonderful holiday season filled with peace and love and every good thing you deserve ✨
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rubylovessharks · 2 days ago
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Hii!! I saw your post asking for ideas of what to write for Idia’s birthday and I just had to say something! (Feel free to ignore this ofc)
The whole crush trope is one of my obsessions along with Idia so I would love to see how you write Idia realizing that he has a crush on reader who is yuu. Like reader has also their otaku side (way more chill that Idia ofc) and they are patient with him so they got to form a pretty frienship with him and also helped him a lot after his overblot
You can omit this part if you want but im thinking of a really kind and sweet reader who besides Idia has befriended most of the twst cast, but they can act pretty shy if the situation is too overwhelming(?
Idk if that makes sense and sorry for the request and thank you for your time :)
of course i'll take on your request! i really like it too :3 so i'll try my best to write it, and write it well!!
Idia Shroud x Yuu(who is the reader)
no warnings! it's all gonna be fluff :333 but like it has hints of angst but ya know- that's idia for ya :/
It's been quite a long time since you and Idia have become friends, you still remember how you first got to know each other. Idia's brother, Ortho, has found out about your shared interest for gaming and anime and thought that you'd make a great first irl friend for Idia. And the very first moment you got introduced to him you knew that you two really are similar, and it wasn't just Ortho's exaggerated view point.
You both were shy and afraid of social interactions, you both enjoy video games and let's not forget that whenever you got the chance you'd talk Ace's and Deuce's ears off about the various animes you've watched. So you two really do have a lot in common. It's just that Idia seems to distant himself from others, never wanting to leave his room and only going out if he really needed to. And how could you call yourself his good friend if you don't try to make an effort to make his sad life a little better?
And that effort has worked too well. Because now everytime you are even mentioned Idia's heart feels heavy. If before he was just shy yet kind of willing to let you into his life now he feels as if something is totally wrong! Everytime you two hang out he feels as if there's a tugging feeling inside his chest, telling him to get closer and hug you.
The tips of his hair turn a light pink as his face reddens, he chokes a for a moment on nothing as he stares at your form. You were playing games at the moment and Idia couldn't help but think that you are the most beautiful thing in the world. Yet like always Idia tends to go towards the negative outlook on life instead of a positive one, and that leaves him with a bitter taste in his mouth. He remembers that day, or rather specifically that fight.
"Why do you still come hang out with me?" you hear him ask with that soft voice of his. What a stupid question you think to yourself, doesn't he know that you come here to have fun? "What do you mean?" "do you just not remember a week ago?" you put down the controller you held and turned to fully look at him "ya know... When I went berserk and tried to unleash a bunch of monsters out to the world????" "you mean when you overbloted? Yeah I remember. It doesn't change the way I feel about you." Somehow these words pulled harder at his heart, as if you were pulling his very soul closer and closer towards you.
"Ever since I met you you were always showing signs of mental problems, and I still decided to become friends with you." now that Idia thinks about it, he did act like he had no real purpose. And now there's a nagging part in his brain that thinks otherwise.. why did feelings have to be so confusing and weird!? Is what he thinks.
"Well I don't get feelings either...." you say as if you read his mind, "but I'd like to ask, since you brought up the subject," "brought up the subject?" Idia whispers "what do you feel?" Now Idia is completely pink. From his hair to his face, if he could get redder he would! "Did I say that outloud!?" he panics. "Did you not mean to? Shouldn't friends tell eachother their problems and try to help eachother out?" Something about you saying that he's ''just a friend'' makes his heart sink. As if he's falling down after his overblot again, down and down until he hits rock bottom.
"Idia please...." you reach out for him, like you're trying to pull him up, to stop him from falling. "tell me what's wrong." Maybe he should explain the way he feels. Maybe he should try to understand that weird tugging feeling he has. Maybe it's something he just never felt before, and you are the cause of it, the reason he's been feeling more happy than what he's past self has felt on a regular basis.
There's no way it is romantic love...Right?
And he reaches out, holding your hand in his, letting you help him from the endless falling. Getting him out of that pit of dark thoughts. "I love you." You tell him, and he never hit rock bottom once you said that.
All of the sudden he's pink again, and as these words loop through his brain he gets it. That tugging, pulling feeling on his chest, his heart, was his love for you. His yearning to be with you. The want to make you happy as he keeps you by his side to maintain his happiness too.
But he's not deserving..
Is what his old self would've said. But now he knows that if he wants to be with you just as much as you want to be with him, saying no will just harm you. Saying no will just push you away and make you feel as if doesn't want that as well. So he does something he would've never thought he'll do in his life.
"I-I love you too!"
He says shakily as he leans forward to peck your lips, and you too, lean into it making his birthday a happy memory in his eyes again.
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anonymousfoz · 2 days ago
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this is probably my last reblog of this.
Its just amazing to see how far of a writer I become, after starting writing as a hobby only in 2022. There is clearly times where I regressed in writing and that's probably due to lack of reading to become a better writer.
Looking back at writing that I didn't even post, the concepts I had were great and amazing and yet I could tell that I was struggling with how I was going to portray that story.
Swapping POVs mid story, dialogue that doesn't feel natural, character's having inconsistent personalities.
Looking back allows me to also see what I did well. I was great coming up with concepts. Having unfinished works allows me to remember what I had planned next even if I didn't write it down. And the stuff I did write down was creative.
I had a Yin and Yang concept, a immortal love story with a tragic ending. The entirely of Ty and Tumblr was a creative idea. The part where Xeon (X) comes in and Ty (the character) is struggling with sanity issues was amazing. I found myself in a mystery trying to figure out what was wrong with the cat because it kept coming up that Ty was scared of the cat and keeping it at a distance. There was a part where Reddit appears and Tumblr has to seek their help. That's interesting, and yet never finished.
Definitely after my concussion in Octobee 2023, my adhd has gotten worse so I can see my Adhd start to effect how I write stories. I went from writing series with a plan to writing smaller scenes or trying to tell a smaller story in a larger world.
The writing I published yesterday was only 1 version out of 4. The other two and more recent versions are gone due to my hand writing them. It's not my best writing; it's a very rough draft. Still doesn't mean I didn't enjoy reading back and seeing what I did great and what I could had done better.
While I'm unsure if I will ever write any of the fictional stories I started, I still care for all the stories I crafted and how much passion I had put into them.
They aren't my magnus opus and that's fine. I wasn't expected to be the next Mary Shelly or some big author.
Writing isn't about being the next big thing, to have your story be read by everyone all the time. Writing is for yourself and for the passion you have for it.
I'm going to stop here before I write an essay about it.
it's weird coming back
Its like looking at a past life.
I'm the same person but definitely more happier. The shift from high school me to my current self in college is a huge jump and looking back through my tumblr show cases that.
I do come back to look, see what I been tagged in and to chat.
But it's odd seeing who I was a year ago. Seeing things in my drafts that never got posted and things scheduled to come.
I was going to delete my tumblr some time ago but I don't think I am due to well, it's part of my identity, the thing that helped me figure out some of my interests and help me reflect on myself.
Besides having a little corner of the internet is nice.
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marlynnofmany · 2 months ago
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Lookie what I got! The rarest of collector's editions, with only one in existence! (There's an @ symbol in place of a © on the title page.)
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(There's only one because I fixed it after I ordered my proof copy.)
Someday this will be very valuable, for sure!
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not-brionnnne · 23 days ago
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hey has anyone ever considered doing shinjiro smut for after the fade to black but he lays you across his lap, like has anyone ever considered the canon praise kink with him more—shinjiro who scolds you, calls you trouble and tells you to stay close to him like a "good girl", shinjiro who acts tough, pretends to be fed up with you pushing him around (he loves it, but that doesn't mean you're not gonna hear about it), ignoring what he wants, so two can play that game, and you think, god, he's not holding back anymore, he's going to kiss me, finally, we're going to— but no, he settles on his bed and pats his lap and tells you that you need to "take responsibility" for teasing him like that, messing with his feelings — "be a good girl." remember, you started this.
#shinjiro aragaki#suggestive#i also like the idea of asking him to do something and he outright scoffs like fully has an attitude about it#tries to remind you what he said about ignoring his needs and asks you what makes you think he's gonna pay attention to yours#you think you get to ask him anything? that's cute#i love playing into that though like i know everyone is all in on the 'i ain't holding back anymore bit' but sorry#man says 'you think you can just push me around? ignore what i want? yeah. well. two can play that game' in that VOICE too? whew boy#like i think he should get to do that a little bit i think he should put me over his lap until i behave#fuck i think it should be more than that though like imagine him lifting you and just. like. tossing you onto the bed.#trying to sass him about the noise and he's like 'you think i give a shit about those guys when i got you right here?' like#i want him to take the wind out of me ya feel i want to talk shit get bit#hit a little too but like open handed#or maybe he tosses you on the bed and you're like 'oh shit oh shit' and then he sits at the foot of it and fucking#PULLS you onto his lap and rucks up your skirt just like that and there are a few moments - a hitched breath#'under negotiated kink' i don't CAREEE that's part of the fantasy like how hot would it be to just have someone tick those boxes untold#either way whether he gets wild or not (preferably yes but maybe needs time to warm up)#it's like. god. he should get to y'know. like (some of) my autonomy being taken from me without him ever overstepping is hot. hot. hot.#he should bend me over his lap and make me keep count while he very tenderly very lovingly mocks me#condescending about the great leader letting herself be treated like this and enjoying it literally makes you turn around#and finally finally touches you properly but he fucking laughs and you're red-faced and he goes 'isn't that embarrassing' and ramps up#so you can't even answer him#god should i try to write this#i think i'm too much of a perfectionist to do this sometimes because i'll stew and never get it done ugh#anyway.#filth#pure filth#thank you#i think we outdid that suggestive tag#smut#(for safety)
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camels-pen · 1 year ago
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(i haven't read Whole Cake in a while, and i never really watched it, so bear with me)
I'd love to write a fic with Usopp on Whole Cake. it'd be sooo fucking long and i'd need to refresh myself on the entire arc, but god i'd probably be so satisfied when it's done. specifically for having brought a single moment in my head to life, but we'll get to that.
On Zou, he insists to be taken along on the Sanji rescue team and has worked himself up with a whole bunch of very good reasons as to why he should go there instead of helping in Wano, but of course Luffy just immediately accepts with a "yeah sure"
With Whole Cake, I think he'd be flipping between having fun as part of the idiot trio/quartet (Luffy, Chopper, Carrot), and being terrified with Nami. There wouldn't be that many differences in the arc as a whole, though; some things would be easier/better and some things would be worse- I don't necessarily think Usopp's presence would be overall an advantage or disadvantage, just different. Like, major events would stay mostly the same, but little details would change and maybe those little details would build to a far more drastic change-
for example, maybe one of Big Mom's kids considers themself a great sniper and wants a match with Usopp, or is motivated to work harder because Usopp is around and they want to take him out and boast about it. Maybe it means Sunny takes more damage than canon, or maybe Usopp's help means less damage to Sunny. (idk if i'd really do smth like this, but it's just an example)
skjdhf fuck i'm really not equipped to try and figure this out when i don't remember shit from Whole Cake aaaa
I do know that, despite his penchant for talking and rambling, I'd probably have Usopp be dead silent after his initial shock when Sanji fights Luffy. Everything about that is the same, except Usopp is just watching Sanji the whole time- not panicking, not moving, and not speaking. He doesn't say a word the entire time, doesn't even make a sound, and that, along with Luffy's words and Nami's begging, stick with Sanji.
(Usopp is thinking of his own fight with Luffy in Water 7, he's partially wondering if this was what it was like- if it was this painful to watch from the sidelines- and partially knowing he doesn't have to say a word, because he knew, like he knew back then, that it didn't matter what was said. It wasn't quite the same, but he could tell in the way Sanji moved, in the way he spoke and held himself, that he was putting on a front, trying to be brave in all the wrong ways. Usopp didn't say a word to Sanji because there was nothing he could say that Sanji himself didn't already know. Should've known. And his quiet, direct stare, was more than enough.)
the singular moment i really wanna write, is a scene where Sanji is apologizing for dragging them into his mess- either during the big meeting in Bege's castle or some other time- and Usopp's like "I'll do what you can't, you do what I can't, right?" and Sanji pauses, a little confused, until he remembers Enies Lobby and a stupid mask and cape and-
and tears are gathering in his eyes now, fuck, but he laughs a little. It sounds wet and his face is itchy and they're surrounded by tentative allies, but he- he laughs again and he says, "Fuck, you remembered that?"
Usopp shrugs, a little smile on his face. "They were some wise words from a wise man."
Sanji laughs a third time. "You think I'm wise?"
And they banter a little more before Bege tells them to quit it since they're on a time constraint or something. Quietly, Usopp will ask, "It-it helps. On bad days. And I figured, 'what's a worse day than this?' Ah, not that you getting married would ever be bad per se-"
"Usopp," Sanji says, looking more relaxed and settled. He smiles fondly and grabs his friend in a one armed hug, crushing him to his side. "Thanks."
And yeah, don't remember much beyond that, except the whole "hiding and then busting out of the cake" bit, which would mean Usopp in a cute little tuxedo or smth- maybe with a fedora aaaaaa <- loves fedoras- helping out with the fighting and eventually sailing with everyone to Wano.
He would be so distressed about fixing up Sunny now that the whole thing with Whole Cake is over. Maybe there'd be a gag about him promising Franky to take good care of Sunny while they were gone and being confident, after being Franky's tinkering partner and learning from him over time, that he could handle minor repair work much better than he did the first time around with Merry. And so when he finally takes in all the very-not-minor repairs he has to do, he's certain Franky is gonna strangle him for not keeping his promise. Probably also try to write in some nostalgic 'repairman Usopp' vibes from pre-Water 7.
Also something something, Sanji, wanting to do more for the crew bc he still feels guilty about Whole Cake, decides to take it upon himself to help Usopp not fall into a whole anxiety spiral about the ship. In turn, Usopp ends up helping Sanji not feel so guilty- usually by handing his own words back to him on a silver platter. And, yknow, having the two of them bonding and being buddies again like they so rarely get to be in canon nowadays qwq
#one piece#usopp#whole cake island#nemotime#that bit in bege's castle isn't exactly how it would go. just kinda. trying to get the vibe. also it's wayyy too short lol#the sanuso bit can be platonic or romantic. originally when i was gonna write out this idea a while ago i was thinking romantic with my#'they get engaged/married b4 dressrosa' au but tbh platonic works just as good#im- these guys man. i hate them so much (affectionate)#i'll get to rereading whole cake and finding a way to put him in there but for now. this.#if anyone's got other ideas im all ears#edit from like march 7: thinking about this again#maybe usopp being silent is an indicator for sanji that usopp's really fucking disappointed or shocked or w/e#but for usopp himself it's like being back in water 7. he doesn't even mean to be silent. he's got words built up on the tip of his tongue#but none of them come out. and despite sanji being Right There all he wants to do in that moment. is run.#at the very least he stays and watches the whole confrontation through. but afterwards he probably feels like shit#because he's the guy who's great with words right? he's the guy that can relate the most out of the group who went to WCI. he should be abl#to make a significant difference and help convince sanji to come home. but he feels like he failed. like he's going to lose another friend#and it's going to be all his fault. (again)#[not really. we all know merry wasn't his fault but we love old insecurities rearing their head in this house]#later he'd probably end up saying the words he wanted to say. and maybe it's better that way. that he ended up waiting#until luffy's had a proper shot at scolding sanji first. because then usopp can act as support and reinforcement. which. yknow.#a sniper's duty and all#anyway i got other shit to do so i'm cutting myself off here#wci usopp
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quibbs126 · 4 months ago
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I’m realizing that with the way I interact with the real world, I could very much make the case of being an alien trying to learn about and blend in with the human race
I don’t know if that makes sense, but the way I act sometimes, you’d think I don’t know what a person is
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aroaessidhe · 1 year ago
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2023 reads / storygraph
The Poisons We Drink
YA urban fantasy
a girl who brews powerful potions is coerced into making potions to interfere with D.C.’s most influential politicians in an attempt to stop a dangerous Witcher Registration Act from passing, and will do anything to protect her sister after their mother is killed
bi MC, nonbinary love interest
arc from netgalley
#The Poisons We Drink#aroaessidhe 2023 reads#this is…….a lot of cool ideas but also so many elements and high stakes that i kinda lost track of them#the pacing is weird. the worldbuilding is random?#why is brewing SO overpowered & risky for her but the other powers seem to have pretty normal low-scale risks?#it’s definitely ambitious and has some cool ideas and also some great characters just. didn’t execute as well as I’d like#as much as we’re told the main threat is the government trying to put through a Registration Act#most of the actual antagonism we see is from other Witchers?#like the systemic discrimination got a bit lost in the witcher family drama and murder politics#important things to say about oppression and police violence but like....idk#she has this ‘deviation’- essentially evil sentient magic inside her head (and you KNOW I love that trope)#but it’s barely explained and very underutilised? other than helping her get out of bad situations you could take it out & would barely#change anything#also it’s explained at the start that she’s an empath but other than the very occasional mention I kept forgetting#will also note that I bumped this up my tbr because I saw the author talking/promoting it as the MCs sister being aroace but no mention#maybe it’ll come up in a sequel (there weren’t really any places where it would have made sense to bring it up here) but idk#(just the way the author was asking for advice on how to write an ace character and stuff you’d assume that they’d….put that in the book?)#not really a critique of the book itself but anyway. I really wanted to like this but the way it was put together just did not vibe with me#edit: I saw the author say on twitter that the version used for ARCs was before ace stuff was added and that there's other signif changes?#so perhaps that will be there! i'm not sure if I want to read it again but might skim just to see what that's about
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mercuryislove · 2 years ago
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now that I'm writing daily again and honing my voice I want to dip my toes into a couple other projects that I've been rolling around in my brain for almost a year now
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x-jean · 9 months ago
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I cant believe FFL's kudos/hits like
Wowowow
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beastsovrevelation · 9 months ago
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Ch. 2 of And the Sea became Blood will probably take it's time, I mean, more scenes than not are still pretty much skeletons.
But, we must appreciate a supportive brother. ❤ Especially after she called him Dr. Phil.
Also, I'm seriously thinking about Charlize Theron as Lucifer's faceclaim.
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They'd look great together, no?
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#warrior nun#warrior nun fanfiction#ava silva#sister lilith#lilith villaumbrosia#diary pages#writing journal#warrior nun fic#warrior nun fandom#wn fandom#warrior nun thoughts#warrior nun biblical au#and the sea became blood#lilith x lucifer#when I said I wouldn't tolerate the lucifer and lilith dynamic being torn apart I didn't mean I mind them both being women#seriously charlize just has that vibe#adriel always ends up having a supermodel for a mother#tbh here he has two mothers though lilith is his stepmom#i have no idea who titus or raphael's faceclaims would be or many of the others'#i always end up putting on so many tags because idk filing system also half of them get eaten for some reason#how am I supposed to navigate my own hoard of a blog when I need to find some obscure rant#writers on tumblr#writer problems#seriously this chapter isn't short i already crossed to 11 pages and only two scenes are fully fleshed out#i struggled with that interview for a while then also decided adriel and his followers have to discuss it#tbh showing his cardinals more is important because of what's planned next#most of this chapter is just... Ava and Adriel crossing paths randomly because what else am I supposed to do for buildup#they aren't going to meet in some diplomatic dinner#unless... tbh some serious event scene would be insanely great BUT later in the story when there's more estabilished tension between them#right now a moment of being civil over a drink will do ( why not Ava's just avoiding Heaven time and they're both stalking one another)
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shay-creates · 1 year ago
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Apparently, my decision to be silly and make fanart of someone's writing (because I genuinely enjoy the story the person is writing and I was struck with inspiration upon reading a particular scene) has benevolent and wildly unforeseen consequences.
I apparently gained a bit of control of the canon because said writer really loved the art and decided what I drew/draw is canon.
2. Writer put said artwork into the document of his story right below the scene, so now it's IN the story where people who read the story will see it (with a link to me)
3. He sent the artwork to all his friends and people he knows because he was so excited
Wholesome interaction and I watched him do all that in real time, good stuff. However...there are two more consequences I was notified of today...nearly a full week after I gave the artwork.
Seeing the artwork caused his friends to become interested in reading and hearing about his story, which means more people are reading what he's writing and giving him critique on the story (which he actively asks for).
Apparently, upon seeing the art, his writer friends got a sudden second wind to pick back up writing they'd abandoned for a few months. Because, I quote, "seeing that someone enjoyed {his} writing enough to take the time to make art of it gave them the motivation that maybe THEY can write something that will inspire someone to also create something." I have accidentally caused a writing frenzy among his writer friends and my silly idea to make art for someone has had a butterfly effect for people who I don't even know.
Uhh...I'm pretty sure there's a moral here but I am tired and have a great deal of emotions about this.
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st-fanfic-bookclub · 24 days ago
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Comment resources
Receiving comments means so much to fic authors so we’d love to encourage people to leave more. But we appreciate that leaving comments can be a bit daunting or draining, especially on days when we are tired or already stressed. So here are a few resources to hopefully encourage us all to leave more and to make doing so easier.
Archive of Our Own floating comment boxes
There are a couple of versions of these out there and they can be helpful. They are browser extensions that allow you to keep the comment box on the screen whenever you like so that you can easily comment as you read, rather than getting to the end and panicking about what to say.
Here are two different versions:
AO3 Floating Comment Box by ScriptMouse
Floaty Review Box by ravenel ← I use this one and think it’s great - Squid 💕
Feed The Fandom Fest
Have you heard of the @feedthefandomfest bingo cards? Because if you’re participating in these, maybe one of the recs on this blog could be the perfect way to tick off a square on these cards. Or, if you’ve not started one yet, why not pick one to encourage yourself to comment more and have some fun while doing so?
Here are the different cards:
Original Card
For Beginners
Fluff Edition
Angst Edition
Smut Edition
Old Fic Edition
Billy Hargrove Edition
Or put your own together!
I’d also just recommend having a look through the Feed The Fandom Fest blog in general, it’s such a wonderful resource 💖
Additional AO3 Kudos
Here’s some images of additional kudos for when you’re longing to mash that button again but all it greets you with is that mocking red smiley face. These are complete with the html to easily put them in!
AO3 Random Nice Comments
This browser extension will give you a short, nice comment from a list at the press of a button. It may be useful for beginner commenters who want to say something nice but are unsure what.
Comment prompts
If you want to craft your own comments but are unsure what to say, here’s a few starting points:
What is the first thing that comes to mind when you think back on the fic? I’m sure the author would love to know
Who was your favourite character in the fic? 
Where are you reading the fic?
Speculate on what could happen after the end of the fic
How did you react emotionally? Did you laugh? Cry? Smile? Scream?
Or there’s the simple but ever loved:
Keyboard smash
String of emojis
‘Loved this!’
Here’s some more lists of prompts:
Good and easy comment ideas by ao3-shenanigans
Some more easy comment suggestions by ao3-shenanigans
Unhinged fic comment ideas by magpie-murder 
Our comment stickers
Here’s a few stickers we made to use in place of comments if you want to leave something but still don’t know what to type out yourself:
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html for the above, in order:
<img src="https://i.postimg.cc/yYRJxJ8C/readforbookclub-sticker.png" alt="sticker with stars and text reading: I READ THIS FIC FOR FANFIC BOOK CLUB AND LOVED IT" width=45% />
<img src="https://i.postimg.cc/yxgDFxh9/greatwork-sticker.png" alt="sticker with stars and text reading: I ADORE THIS FIC GREAT WORK" width=45% />
<img src="https://i.postimg.cc/c12gd7Zc/howtheactualheck-sticker.png" alt="sticker with stars and text reading: HOW THE ACTUAL HECK IS THIS SO GOOD?" width=45% />
<img src="https://i.postimg.cc/V6HSrntm/amazingwriting-star-sticker.png" alt="star-shaped sticker with text reading: AMAZING WRITING!" width=45% />
<img src="https://i.postimg.cc/RZzWHMW6/screamingcryingthrowingup-star-sticker.png" alt="star-shaped sticker with text reading: SCREAMING CRYING THROWING UP" width=45% />
<img src="https://i.postimg.cc/1XkfMSMd/mayiofferyoumyfirstborn-star-sticker.png" alt="star-shaped sticker with text reading: MAY I OFFER YOU MY FIRSTBORN? OR PERHAPS MY SOUL?" width=45% />
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derinwrites · 8 months ago
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The Three Commandments
The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.
Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And
The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.
1: Thou Shalt Have Something To Say
What’s your book about?
I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?
The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).
Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)
Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?
2: Thou Shalt Respect Thy Reader’s Investment
Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.
Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.
Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.
The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.
But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.
If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.
3: Thou Shalt Not Make Thy World Less Interesting
This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.
“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?
Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?
If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.
Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?
Hopefully these can help you, too.
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chuluoyi · 1 year ago
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MARRIED ON PURPOSE
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- gojo satoru x reader
"for one, i can show you incredible things!" jujutsu, madness, heaven, sin. the strongest sorcerer is sure to show you all of that during the whole duration of your six-month marriage contract.
genre/warnings: marriage of convenience, enemies to lovers, crack, fluff, slight satosugu angst/comfort, kamo!reader, very suggestive. gojo clan is portrayed as very traditional, meanwhile kamo clan is rather unpleasant here
note: the unholy amount of times i've edited this story *sigh* but okay i must drop it here or else i'm going to keep editing it and losing my mind. despite my misgivings and all, i really had fun writing this and i hope you enjoy it! wc. 5k !
a part of 1K MILESTONE EVENT
general masterlist
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Some would say... marrying Gojo Satoru would be living the dream.
“Don't look that sour now, wife.”
“…sigh.”
A playful nudge at your side, a lighthearted voice— “You're going to make them question our veeery happy marriage, you know… We don't want that now, do we?”
But to you, it was more like nightmare dressed in a daydream.
It was peak comedy because why would you put marrying Gojo Satoru in your life plans? He was incorrigible, a child trapped in a man's body, and there was also the very fact that you hate him. His only redeeming trait was being born in the esteemed Gojo clan, and now held the title of the strongest.
You know you must have accumulated karma, but out of everything else, why must you end up in this predicament?
Hailing from the great clans of jujutsu society, both of you know well that marriage is the essence to make the clan greater. And when it involves the big three clans, its importance amplifies even further.
It was just that you two were too rebellious to follow it through, for one reason or another. Everyone knows Gojo Satoru was faithless to any woman, and you were not exactly thrilled with the idea of marriage as a whole.
He was the one who came to you, proposing this insane idea of a temporary marriage.
"Look at it this way," Satoru said with a wry grin, contrasting your puzzled frown on that fateful afternoon. "It's either me or Zen'in Naoya for you, isn't it? It's so clear which is the better man."
That was what grated you the most. You would be damned if you married the misogynist.
"What do you get from this arrangement, really?" you questioned begrudgingly.
His name would give you security, stop the harassment from your clan, and maybe even a better life, but you didn't quite get what he'd get from the offer he willingly extended to you.
Satoru flippantly shrugged. "Nah, you are not exactly my type, but you're still far better than the boring puppet my family have considered to be my wife."
"Who?"
"Don't remember her name. All she goes on about is that she'll be the good wife and mother of my child. Ew."
Seven hells. You scowled. Gojo Satoru and his penchant for chasing the thrill. Boring women would kill him before an actual curse would.
"And hey, for one," he shot you a smirk, visibly smug. "I can show you incredible things!"
"That's not the point! Gojo, do you even realize—" your voice rose, pulsating with righteous fury, "—how serious all of this is? My life, your life! We're going to be stuck—together!"
"Six months," he blurted, tilting his head slightly. His sunglasses slipped down just enough for you to catch a glimpse of his sparkling eyes. "It's enough time to work through our shits, and by then if you have enough, we're through."
At that time, it seemed feasible. Both of you tolerating each other to avoid a much worse match.
. . .
BACK TO PRESENT—barely a week ever since you were paraded around as his wife, now you and Satoru were stiffly poised in the studio in your formal garbs, capturing your official wedding photos.
At that time, it seemed feasible, but now, it felt like a chore, as you realized that conversing with him either spiked your blood pressure so much that you wouldn't even be surprised if you ended up with hypertension or completely sapped your energy that you were left exhausted.
"Come on, show a smiiile," Satoru said in a sing-song voice, gesturing toward the camera as it flashed for the pictures. You were beyond appalled, shooting a glare in his direction.
"I am smiling, Gojo."
"Liar. You're pouting, wifey~"
Sigh… this really is going to be one hella of a ride, huh?
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MONTH ONE, and you found out that Gojo Satoru is apparently as mad as people made him out to be.
"You've got to be kidding me!" you fumed, right after he hauled you into one of the rooms in his grand, traditional estate. Your glare pierced through him, a blood vessel ready to burst. "We never agreed on ‘consummating’ the marriage!"
You wrote him a goddamn contract. And the three conditions of this chaotic marriage are: one, it would only last six months; two, no personal feelings involved; and three, nothing borderline disturbing.
And this, you concluded, was the height of what could be called as disturbing.
"We will not," Satoru replied with a hint of disdain, grimacing, as if the notion didn't sit well with him either. The audacity! "We're just going to make it as if we are—"
"And why?! Why should I do that?!"
"Why else? Because my old fart believes that we indeed haven't done so."
"Then it's your fault? For failing to convince him? Why turn it into my problem!"
"Because, dear wife," he drawled, his tone taunting on the final note. "Now we're on the same page, in case you have forgotten."
Great clans and their hollow expectations spare no one, not even Gojo Satoru. They place importance in the most banal things, such as the continuity of sacred bloodlines and such.
The only alternative wasn't appealing either. Should you be found out that you married only to divorce... sigh, you didn't even want to know how big of a scandal it would be. One thing was certain: your clan would chop you to shreds.
You really had no choice, huh?
"Five minutes," you warned, glaring at him. "Make it loud. Make it so that no one wouldn't question this anymore."
Oh and sure he would. As Satoru pulled that shit-eating grin, you were in for another ride. You waited out until several maids were nearby, left the wooden door ajar, and began the show—
His hands wrapped around your waist—the feeling was peculiar, but you ignored it—and you let him pull you near that open door. He snuggled his face on your neck—his hair tickling you in the process, but you ignored that peculiarity again—as he started making suggestive noises. "Mm, you're so pretty, darling."
You could hear those maids gasp in surprise. And to add the flavor, you faked a moan.
This is... kinda fun? A twisted part of you suddenly found satisfaction in fooling the maids. A smile tugged at your lips as you shoved him away, and Satoru eyed you in surprise and irritation.
"Husband, you're... insatiable," you worded languidly, and he immediately caught on your act, grinning. "Anyone can walk by, you know."
"Oh? But that's the point." Satoru's bright blue eyes twinkled with utter mischief, and even you couldn't deny the exhilarating rush. "I want them to know."
And suddenly you got this very brilliant idea. You swiftly moved past him and sent the books and trinkets on his desk flying to the floor, causing questionable noises.
"Oh my!" a girlish voice exclaimed.
"The master! And the lady!"
Satoru shook his head, thoroughly entertained. And you rolled your eyes. Those nosy maids would finally have enough now, and this charade would end—
"What's happening here?"
The old fart. Both you and Satoru grunted in unison. You really thought you would leave it up to the maids to spread the word, but then you were taken by surprise when he wrapped his hands around you and flung the door open, slamming you against it—and damn it hurt!—offering everyone a front-row seat to your charade.
The maids squealed. His grandfather raised a righteous, demanding eyebrow. You wanted to scream.
"Hey, gramps," he greeted jovially, breathless, his grip on you tightening and you felt heat radiating from his palm. "Ah, sorry, opened it by accident—the wife here is feisty, you see."
Your veins felt ready to burst. Was this a part of his plan all along? How would you show your face before your grandfather-in-law now that he had seen this... atrocity?!
"So, yeah, we'll resume our business!" Satoru, the idiot, said it as if it was the most normal thing in the world. "See ya!"
With that the door slammed shut, but oh no, it was not the end.
"Mmmph!?" you protested, unintentionally loud and eyes widening in alarm when Satoru muffled your mouth with his hand.
The rotten bastard! You found it nearly impossible to breathe, shooting daggers at him. "Mmmrgh! Mmmrrgh!"
"Oh... so that boy really does it huh," you heard the elder mutter in thoughtful manner from outside—and you were in disbelief at how trusting he was—before rounding the stunned maids and barked, "What are all you doing here? Go!"
You nearly sagged with relief when Satoru loosened his grip slightly, allowing you to breathe, as his meddlesome grandpa finally stalked away. Done. This horrible act was over! But wait, why did he still had his hand on your mouth?
"That went splendidly!" he snickered, appearing rather pleased with what had unfolded. "Now, if only we work together like this more often—"
This is… my life now, you lamented the reality. The feeling of his calloused hand on you made you feel things, honestly speaking, but another emotion—and impulse—currently overpowered that.
Seething with resentment, you fiercely chomped down on his hand hard, causing him to swear and pull his hand out of you.
"You—you devil! You bit me!"
"Serves you right!"
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Okay, he was bad. He was insufferable. But to be frank, sometimes it wasn't all chaos.
And what's more, by MONTH TWO, you realized that being married to Gojo Satoru also comes with several perks.
"Miss, please, you're trespassing—"
You looked at the police with the haughtiest look you could muster, unamused. "Don't you know who I am?"
"No, but it shouldn't—"
"I'm that man's wife," you declared regally, motioning towards a certain tall shuttlecock a few meters away. "Is that not clear enough for you?"
For one, no one can look down on you anymore, because should they try, you have the power to raise your chin high and declare yourself as the wife of the infamous sorcerer. The very moment you did, that nosy police stopped yapping, and let you through.
The cursed boy, Yuta and his classmate had just been trapped inside a barrier a curse user pulled down, and you were assigned to look into this case by the headquarters. As much as it boggled you—because certainly, the strongest sorcerer was enough to investigate this—you still had to do your job.
“What is this?” you asked Satoru, who was observing something far beyond what your measly ordinary eyes could see. “What happened here?”
He turned to you, all with bandaged eyes. “Hmm? Oh, you’re here too?”
“Don't act surprised. Answer my question, Gojo.”
"You’re too uptight, wifey," Satoru's lips curved upwards playfully. He had taken to addressing you with pet names as of late, if anything, only to get a rise out of you. "Isn't it the time for you to start calling me by my given name?"
You let out a weary exhale, exasperated. "I'm serious, did you find anything? Who is behind this?"
"Nah, nothing for you to worry about," Satoru waved his hand dismissively, grinning. "More importantly! Let's head back and have dinner! My treat!"
You weren't that oblivious. You noticed things too.
"What do you want tonight? Sukiyaki? Sushi?" he hummed nonchalantly. "Or shabu-shabu?"
You gave him the stink eye. "Is that all you think about? Food?"
"As a responsible husband, it's my duty to feed my wife, no?"
"News flash: temporary wife."
"But still my wife, regardless. I overheard you earlier. Being Mrs. Gojo is convenient, yeah?"
You ignored how a part of your jolted at the emphasis he placed on that word, grunting. "Nah, it's meh."
Call it a feeling or hypothesis. It was similar to how he treated his students. He always said the dumbest things, but it actually served to make them feel at ease.
Then it occurred to you, could this be actually his attempt to change the subject?
"You can't cheat your way out of this." You shot him a pointed look. "You know something. Tell me."
"Hmmm? And what would I get in return?"
"Don't make this difficult. I'm on this assignment too!"
"Nah, if you call me by my name, I might consider it."
Hah. You should really read a parenting book one of these days. Taking on your husband was more or less the same as facing a kid.
"Satoru," you tested, the name rolling out of your lips far easier than you thought. Somehow, using his given name felt like some sort of a leap of faith.
He stopped right in his tracks, turning to you. His glossy lips quirked into a meaningful smile, and you felt funny.
"Wasn't that difficult, was it?" he winked, and you covered the strange heat creeping onto your face by rolling your eyes and huffed.
Needless to say, he still didn't tell you even a clue. You finally gave up, thinking that if he insisted on not disclosing it, then so be it. You trusted him on this, even as he turned your help away, and you hated admitting it, because, well…
You’d trust him with your life. He knows how to handle this better than anyone.
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Being a a woman in Kamo clan is, in fact, not any better than in Zen'in—you're regarded more as a commodity than a human being.
"When will you bear the child of the bearer of Six Eyes?" in your father's eyes, you were but a tool to tie the Gojo at his hip, and your worth probably wasn't even twice of Noritoshi's. You had known he would ask this when he summoned you to Kamo ancestral home, and you weren't that naive—you had asked Satoru to join you too. But your father had insisted him to stay at the foyer, while he dragged you into his chamber.
Just because you had seen it coming didn’t mean you liked it. "Is that all? Do you really make me come here just to ask me that?"
And what came next was like a crack of thunder.
"How insolent!"
You shuddered, hating how his voice still had control over you. You wanted to stay deviant, but you couldn't keep yourself from shaking. You thought you would have to endure this shit just like you did before, until—
"Now, now... That's my wife you're talking to. I'd watch your words, if I were you."
You had never whipped your head so fast.
There stood Gojo Satoru, your husband, in all his glory. He was smiling but it was clear that he was displeased, evident from his cutting remark, and most notably, how he had unveiled his striking cerulean eyes for all to see. Truth to be told, you didn't expect him to barge in here at all.
"Gojo-sama," your father bowed his head, displaying utter respect towards him, contrasting the blatant disrespect he showed towards you just now. Satoru paid him no heed, as took big strides towards you and seized your arm, prompting you to rise to your feet.
"What is this? Why are you yelling at her?" His voice lacked its usual hint of amusement or teasing, sending a chill down your spine.
"Gojo-sama, I apologize for my tone towards my daughter earlier. I was just trying to educate—"
“My wife. She is my wife now, and it would do you better to remember that,” Satoru asserted firmly, putting emphasis in the way he addressed you, his gaze hardening. "She is an adult. There's nothing left for you to educate her." Pausing, he added, "And the way I saw it, you were just unnecessarily rude."
"Gojo-sama, there were just certain things in our clan that—"
"Please, don't call on us again," Satoru interjected decisively with a light yet firm voice. You could swear your heart was somersaulting at the sight of him staring down your natural enemy. "I'm sure you're aware, but your daughter bears my name now, and she will get the respect she is due. I will have a word with anyone who fails to treat her accordingly."
Somehow or another, Satoru whisked you away from that hellhole, your hand tightly clasped in his. Your relieved sigh didn't go unnoticed by him, as he looked back to you.
"Have you gone soft?" he teased, eyeing you with a playful snort. "Did you forget who your husband is? You've got nothing to fear. Not even him."
"Thank you," you murmured. Your heart was still pounding and your mind blanked, rendering you unable to engage in your usual banters.
His clear blue eyes widened a touch, blinking at your display of vulnerability, Then, he wore the most innocent expression, even sporting a silly smirk—the hardness from earlier gone. "I was really cool, huh? Totally made you swoon I bet."
And in MONTH THREE, you realized, as he laced his fingers with yours, as his laughter filled the air, as calmness swelled on your chest, and as you loudly snorted at his remark, that—
You felt warm, so warm, in fact, and maybe—
"Pfft, you wish."
—maybe... being with him isn't so bad after all.
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MONTH FOUR, and you finally found out that it was Geto Suguru.
Everyone knew that your husband and the criminal used to be the best of friends. You saw them during your high school days, and heck, you used to think that Geto was the better man.
You could only imagine what he must feel.
. . .
When he got back to your shared house after the whole ordeal—after he ended his best friend with his own hands, Satoru honestly didn't expect that you would be waiting for him.
"You okay?" you asked him, brows furrowed in concern. It was probably one of the very few times you had displayed emotions other than contempt towards him.
It felt strange because he was used to your jabs, and he was not sure what sort of expression he should pull now, because truthfully, now he felt empty. Blank. All he comprehended was that he had killed Suguru, that he was gone, and that was something he must do.
It would be just like any other day if hadn't just committed a murder. On someone he held dear.
"Of course, who do you think I am?" Satoru swiftly replied, sounding smug—or at least tried to. "I'm the strongest. I’m unscat—"
"No, not that." You frowned, meeting his gaze squarely. "After everything."
Satoru struggled to choose how he should react, partly because most of his energy had gone after walking Yuta back and reassuring him earlier, and by default, the two of you should be hellbent on hating each other and wishing for this contract to end soon.
"Aww, are you worried about me?" he quipped with a touch of sarcasm just because he had to, to show you that it wasn't enough to ruffle him.
Because he is still the strongest, even when alone. Especially when he is alone.
You let out a sigh, looking away. "Can't I?"
"Whoa, that's sweet of—"
"Don't fool yourself," you stated in straight-laced manner, meeting his gaze with a composed expression. "You're not okay. You might be Gojo Satoru, but no one will be after doing what you just did."
You might be Gojo Satoru, but no one will be after doing what you just did.
Despite himself, his smile fell, and his chest burns. What is this? Were you sympathizing with him?
Does that mean that you don't see him as the entity... that was the strongest?
Before now, Satoru remembered you as the most uncooperative Kyoto girl he had ever met. Your first meeting in high school sealed your fate as the two of you could hardly get along. You didn't mince words, you didn't take shit from anyone else—heck, sometimes when he thought of you, what came up to mind was an impenetrable diamond.
Which was why he chose you. You were someone he could trust. You were pretty in the eyes and certainly wouldn't bore him either. His reasons were purely based on logic. And after four months with you, Satoru came to a conclusion that you indeed fulfilled all his expectations, if not more.
And he felt comfortable, or dare he say, secure even. He felt like he had gained a friend, who could see past his bravado and wouldn't judge him for it.
"You're..." you sighed, casting a sympathetic glance at him, your forehead slightly creased. At that moment, Satoru couldn't help but think you were incredibly endearing, fretting over him. "...an idiot."
"Heh." I really am, aren't I?
"I never knew him well..." you chose your words carefully, hesitant. "Did you try to convince him, before this?"
He barked a bitter laugh. "I did, we even made a scene in front of freaking KFC," he remarked with a scoff. "He didn't listen to me, until the very end."
You wanted to tell him “You have done everything you could” but the words faltered on your tongue. You couldn't bring yourself to say it when you saw the faint quiver of his lips, the slump of his shoulders—the very sight of a boy grieving the loss of his friend.
Your heart pricked too, somehow, seeing that expression on him. And you once again realized that your silly, exalted husband was just as human as anyone else who made him think he wasn’t.
"And you know what he said in the end?" Satoru's tone was flippant, as if asking the most normal thing around, but carried a trace of grief, evident in the slight drop in his tone if you squinted. "He said he didn't regret it, not even a bit."
"I'm sorry," was all you could manage.
Satoru's smile was lopsided. Now that he had finally accepted it, something inside him finally bleeds, and it freaking hurts. The pain gripped his chest like a swirling inferno.
But then, you boldly clasped his hand in yours, gently tracing soothing circles on its back.
"What?" he peered at you, feeling a ghost of a smile forming.
"Consider this emotional support."
And he chuckled softly. Despite the lingering ache, despite the gloom he was sure he would carry for the rest of his life, he felt the pain was more bearable with you by his side, somewhat.
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How?
You blamed it on the alcohol, because it was MONTH FIVE and you were kissing Gojo Satoru, daringly.
"We shouldn't be doing this," you rasped between kisses, breathless, as your own sinful hands plucked the buttons off his shirt. The intoxication might have played a part, but the intense heat coursing through you made it hard to think straight.
Satoru crashed his lips against yours again, consumed by blind lust. "Yeah, we shouldn't," he replied in a rush. His breath was hot as he trailed his lips down your jaw and neck next, savoring the softness of your skin.
You two had attended a banquet for the elite, and you were unbelievably beautiful. Standing by his side as his wife, you drew admiring glances, with everyone marveling at what a remarkable couple you made. The Gojo heir who was born with the legendary Limitless and the Kamo heiress, as lovely as her clan's name was powerful.
His deft hands roamed the curves of your body, exploring every inch of you. The warmth of his hands tickled something inside you as you closed your eyes to sink into this very moment. Next you knew, his bare body was against yours and you were stripped out of your evening dress.
Lust flickered in his honored eyes, as he took in the sight of you in your undergarments.
"You're really pretty, you know," he whispered. The intensity with which his eyes scanned your form made you nearly squirm. "Shame we don't always get along."
"You're one to talk," you retorted, a hint of exasperation in your tone, as you willed all other thoughts away. Thoughts like what comes after this. Thoughts like—
Is it heaven or sin, if you feel both at once?
His thumb tenderly caressed your plush lips, a hint of a smirk on his beautiful face.
He has long been thinking about your body. He was but a man, after all. He just didn't expect that you wanted this too.
There was always this tension, only this time, neither of you could hold it back anymore. Perhaps it was impulse—hell, most certainly it is, but there was another thing, something more that even Gojo Satoru still didn't dare to say out loud.
"Eager, are we?" he taunted when you leaned in, yearning for the touch of his lips on yours again.
You huffed. “Shut up and kiss me.”
A rush of heat flooded your cheeks at the slip of those words. You were about to rectify it, taken aback by your own boldness, but then he drew you close, silencing any further protest with a gentle hush—
"Too late, sweetheart," his husky voice entered your ears, lips curling into the most wicked smile, and you were in a trance. And Satoru was once again convinced, that choosing you as his wife was the rightest thing there was.
If the two of you went with this, then there would be consequences. Things would become more complicated, harder to sort out.
But, he decided, as he captured your lips in another heated kiss, everything else can wait.
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MONTH SIX, and you were dreading the day of your divorce.
You brought this upon yourself. Whenever you reminisced about that night, you wanted to smack yourself in the face and bang your head against the nearest wall.
This marriage has a time limit. And you were doing it out of convenience in the first place.
You weren't supposed to… goddammit—fall in love with him.
But what's done is done, there is no going back in time. Awkward exchanges and lingering stares had been gnawing at your insides these days, and you were sure Satoru too must have noticed them too. You two used to be more relaxed with each other, and he'd even flirt with you, but weeks ever since that night of drunken passion, you almost reverted back to your high school personas—ignoring each other.
This was tough. You didn't like this. And more than that, you were faced with a more pressuring matter...
Gojo Satoru, with everything he possessed, could have had any woman he wanted. This arrangement with you was temporary in the first place, soon he would forget you and flit to the next woman.
The thought made your heart ache, because you had involuntarily gave your heart away to him. Siiigh… What a predicament you put yourself into, huh?
With just a month left together, maybe you should just make the best of it.
. . .
If you thought that things were any better with Satoru, then you were sorely wrong because he too, was debating with himself often nowadays.
Days spent with you were fun and fulfilling. You irked expression somehow had made its mark in his heart. You were pretty, fit to be by his side publicly and preferably, behind the closed doors. With you, he didn't feel the need to carry this facade of being strong—he could be a clown tripping over his own trap and you would amuse him with your deadpan expression.
And ever since that night, he was constantly reminded by how soft your skin was against his. It almost drove him crazy now that he was deprived of it.
How was it the last month already? He wasn't ready to let you go yet.
When he got back home later after his class ended and found you in the dinner table setting the food, all he could muster was, "Hey. Haven't eaten?"
You whirled around to face him in surprise. "Oh... you're back. Just about to. Want to join me?"
Of course he would. And yet as the two of you sat down, it was so painfully awkward Satoru felt like he was dying inside.
Why couldn't he pull off a smart line or two? Where did his suaveness go? He was smoother than this, surely, with his colorful history. One night of passion was supposed to enhance the relationship, not to derail it. What happened to you both?
The salt was near his side when you reached to grab it and bumped into his hand. "Uh-oh."
Turning towards you, he found your spooked expression and your adorable eyes widening in surprise. "S-sorry..."
It was just freaking salt! Salt! Why on earth were you apologizing?!
Enough, he thought. This utter madness of being jumpy with each other. He'd start from his side.
Does he want you to keep being his wife even after all this ends? Yes.
Why? All reasons already listed above.
Does this mean he likes you? Apparently and supposedly, yes. Because if it isn't then he doesn't know what this funny feeling driving him mad is.
With that sorted out, then he only had one more thing to confirm. He put down his spoon and crossed his arms together. "Tell me the truth. Do you like living with me?"
His question obviously took you by surprise. "Huh? What brought this on?"
"Just give me an answer."
"You're so pushy," you grumbled, lips pursed, and he felt like you were finally back to your usual dynamics somewhat. Good.
"Sooo, the verdict? Do you enjoy being with me or not?"
Because to him, it was a resounding yes and more.
Ignoring the warmth that surged to your cheeks, you rolled your eyes. "Surprisingly, not bad, yeah," you admitted, mustering the courage to meet his gaze. "You're annoying, an idiot, a bit crazy—"
"Hey!"
"—but eventually you're still... manageable," you added, feeling your face truly start to sizzle. But covered it up by looking down and playing with your fingers as you still had more to go on. "What I want to say is... I'm glad that I agreed to this—with you—because I can’t imagine it with anyone else."
An unfamiliar tingling emotion rushed to his chest as his face too started to heat up, letting your words sink in. Is he blushing? Oh God. He sure is. And so did he feel hella giddy.
Then it’s sealed.
Suddenly he procured a piece of paper from his work uniform and showed it to you. You first saw his lazily scrawled signature before it dawned on you.
The contract. You almost forgot that you made him sign that looming piece of paper. You were almost dismayed, thinking that he would end this right then and there, but then—
“Well, then… I suppose we no longer need this.”
Riiip~
Your eyes nearly popped out of their sockets when Gojo Satoru tore out your contract right in front of your face, the most brilliant of his devilish grin adorned his handsome face, as he took off his blindfold to see you far clearly than ever. Heavens, you are cute, he thought.
“Soooo~ seems like you’re stuck with me from now on!”
You gaped, awestruck at the blatant meaning of it all, feeling how your heartbeat started to pick up the pace, when he pulled the rag out of your feet once more by tilting his head to the side, looking at you with a winning smile.
“Let’s start over! What did they say again? Ah, yeah. Here’s to the first day of our lives!”
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